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Extracts From the Accounts of the Revels at Court




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Hersteller:Forgotten Books (Cunningham, Peter)
Stand:2015-08-04 03:50:33

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Excerpt from Extracts From the Accounts of the Revels at Court: In the Reigns of Queen Elizabeth and King James I., From the Original Office Books of the Masters and Yeomen With the hope of finding entries which might throw light on our early literature, I sought permission to examine the Books of Enrolment and Declared Accounts. This I obtained by the great kindness of the chairman of the office, Francis Seymour Larpent, Esq.; with full liberty to transcribe what I liked, and to seek for what I thought was there, or ought to be there. I first went through that portion of the Declared Accounts in Rolls that bore upon the reigns of Elizabeth and James I.; and which I thought was likely to contain information illustrative of the literary history of those reigns. In my first day´s search I found three rolls of the expenses of Prince Henry; one excessively curious, and of some importance in our literary history. This was "The Accompte of the Money Expended by Sir David Murray K¿ as Keaper of the Privie Purse to the late Noble Prynce Henry, Prynce of Wales, from the first of October 1610 to the sixth of November 1612 (the daye of the decease of the said Prynce) as lykewise for certaine paymentes made after the deathe of the saide Prynce in the monethes of November and December 1612." I at once saw that Birch knew nothing of this roll, and that it contained entries of payments to Michael Drayton, Joshua Sylvester, Inigo Jones, and others. One of the first payments recorded in this account is for: The Prynces Maske. Payde to sondrye persons for the chardges of a Maske presented by the Prince before the Kinges matie on Newyeres day at night beinge the first of Januarie 1610. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


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