Court Life of the Second French Empire (Classic Reprint)
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| Partner: | buecher.de |
| Hersteller: | Forgotten Books (Rough, Le Petit Homme) |
| Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from Court Life of the Second French Empire Nearly every royal palace of any antiquity has its ghost. Hampton Court has three - those of Katherine Howard, Jane Seymour, and Mrs. Penn (nurse of Edward VI.). The old Schloss of Berlin is haunted by the White Lady, Agnes of Orlamünde, who was buried alive in its vaults, and whose appearance always forebodes death to some member of the Prussian Royal House. Further, a spectral Capuchin, connected perhaps with the monastery where the Hapsburgs have so long been buried, is said to flit at times along the corridors of the Imperial Hofburg at Vienna. In France the Palace of the Tuileries was likewise haunted by a familiar spirit. The Little Red Man, who, although he mostly remained unseen and unheard while he prowled through the splendid chambers, considerately revealed his presence every now and again in order to foretell some great change or disaster. Occasionally, when there was nobody of any consequence at the Tuileries, the Little Red Man went roving. He followed the ruler of the time to other palaces and places. He once journeyed as far as Egypt to advise General Bonaparte to return to France. He also visited the cliffs of Boulogne to foretell the failure of the projected invasion of England; and, again, in the last years of the First Empire, he showed himself both at Fontainebleau and at Waterloo. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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