The Works of Dr. John Tillotson, Vol. 1 of 10
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| Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from The Works of Dr. John Tillotson, Vol. 1 of 10: Late Archbishop of Canterbury Dr. John Tillotson, archbishop of Canterbury, was descended of a family anciently of the name of Tilston, of Tilston, in Cheshire, the ancestor of which was Nicolas de Tilston, lord of the manor of Tilston, from whom descended Nicolas de Tilston, in the ninth year of King Edward III. whose grandson and heir, Roger Tilston, Esq. in the reign of Henry V. married Catharine, second daughter of Sir John Leigh, of Baguly, in Cheshire, knt. His son and heir, Thomas Tilston, married Elizabeth, daughter and heiress of Hugh Heath, of Huxley, in the same county, as Richard, the second son of this Thomas, did Maud, daughter of Richard Bostock, by whom he had several sons; of whom the third, Ralph, of Newport, in Shropshire, married Elizabeth, second daughter of William Leighton, second son of Sir Thomas Leighton, of Watlesborough, in the same county, knt. The third son of this Ralph was Thomas, of Wookliff, in the parish of Carlton, in Craven, in the county of York, who changed his name from Tilston to Tillotson. His son, George Tillotson, had by his wife Eleanor, daughter of Ellis Nutter, of Pendle Forest, in Lancashire, a son and heir, Robert, the father of the Archbishop, who was the eldest of three sons, Joshua and Israel being the younger; and was born of parents more distinguished by their integrity and piety, than their rank and fortune. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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