Commentary on a Harmony of the Evangelists, Vol. 3
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| Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from Commentary on a Harmony of the Evangelists, Vol. 3: Matthew, Mark, and Luke Matthew. XXI. 10. And when lie entered into Jerusalem, the whole city was moved, saying, Who is this? 11. And the multitudes said, This is Jesus the prophet of Nazareth in Galilee. 12. And Jesus entered into the temple of God, and drove out all that sold and bought in the temple, and overturned the tables of the money-changers, and the seats of those who sold doves; 13. And said to them, It is written, My house shall be called a house of prayer; but you have made it a den of robbers. 14. And the blind and lame came to him in the temple, and he cured them. Mark. XI. 11. And the Lord entered into Jerusalem, and into the temple; and when he had looked around on all things, and it was now evening, he went out to Bethany with the twelve. 12. And the next day, when they departed from Bethany, he was hungry. 13. And when he saw at a distance a fig-tree having leaves, he came, if perhaps he would find any thing on it. And when he came to it, he found nothing but leaves; for it was not the season of figs. 14. And Jesus answering said to the fig-tree, Let no man eat fruit from thee henceforth for ever. And his disciples heard it. Luke. XIX. 39. And some of the Pharisees out of the multitude said to him, Master, rebuke thy disciples. 40. To whom he said, I say to you, that if these be silent, the stones will cry out. (A little after.) About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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