The Vagabond in Literature (Classic Reprint)
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Hersteller: | Forgotten Books (Rickett, Arthur) |
Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from The Vagabond in Literature In the introductory paper to this volume an attempt is made to justify the epithet "Vagabond" as applied to writers of a certain temperament. This much may be said here: the term Vagabond is used in no derogatory sense. Etymologically it signifies a wanderer; and such is the meaning attached to the term in the following pages. Differing frequently in character and in intellectual power, a basic similarity of temperament gives the various writers discussed a remarkable spiritual affinity. For in each one the wandering instinct is strong. Sometimes it may take a physical, sometimes an intellectual expression - sometimes both. But always it shows itself, and always it is opposed to to routine and conventions of ordinary life. These papers are primarily studies in temperament; and the literary aspects have been subordinated to the personal element. In fact, they are studies of certain forces in modem literature viewed from a special standpoint. And the standpoint adopted may, it is hoped, prove suggestive, though it does not pretend to be exhaustive. If the papers on Hazlitt and De Quincey are more fragmentary than the others, it is because these writers have been already discussed by the author in a previous volume. It has been thought unnecessary to repeat the points raised there, and these studies may be regarded therefore as at once supplementary and complementary. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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