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Anthology of Massachusetts Poets (Classic Reprint)




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Hersteller:Forgotten Books (Braithwaite, William Stanley)
Stand:2015-08-04 03:50:33

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Produktbeschreibung

Excerpt from Anthology of Massachusetts Poets The editor desires to thank the following authors, publishers and magazines, for the permissions courteously given to include the poems printed in this volume: The Macmillan Company: "Candlemas," "Sunrise on Mansfield Mountain" from The "Road to Castalay," by Alice Brown; "The Moods," "Hill Fantasy" from "The Crack of Dawn" by Fannie Steams Davis (Mrs. A.M. Gifford). Houghton Mifflin Company: "The Cross-Current" from "The Heart of New England" by Abbie Farwell Brown; "Hymns and Anthems Sung at Wellesley College" from "The Yosemite and Other Poems" by Caroline Hazard;" "Frimaire," "A Bather" from "Pictures of the Floating World," and "Patterns" from "Men, Women and Ghosts" by Amy Lowell; "The Prophet" from The "Singing Man," and "Harvest Moon: 1914," from "Harvest Moon," by Josephine Preston Peabody; "Nocturne" and "Envoi" from "Poems New and Old" by William Roscoe Thayer. Charles Scribner´s Sons: "Essex," "The Song of the Wave" and "Song: But of One Heart the Birds and I Together" from "Poems" by George Cabot Lodge. Henry Holt and Company: "Cretonne Tropics" from "Wilderness Songs" by Grace Hazard Conkling. G. P. Putnam´s Sons: "In the Trolley Car" from "At Vesper Time" by Ruth Baldwin Chenery; "There Where the Sea," "Marriage" from "The Potter´s Clay" by Marie Tudor. George H. Doran and Company: "The Lilac" from "Echoes and Realities" by Walter Prichard Eaton. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


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