A Memorial of Fitz-Greene Halleck
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Partner: | buecher.de |
Hersteller: | Forgotten Books (Author, Unknown) |
Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from A Memorial of Fitz-Greene Halleck: A Description of the Dedication of the Monument Erected to His Memory at Guilford, Connecticut; And of the Proceedings Connected With the Unveiling of the Poet´s Statue in the Central Park, New York Soon after the death of Fitz-Greene Halleck, near the close of the year 1867, his friend Gen. Jas. Grant Wilson, aided by Mr. Benjamin H. Field, and the Hon. Horace Greeley, of New York, by Gen. H. W. Halleck, the poets kinsman, then in command of the Division of the Pacific, and Mr. Horace H. Moore, of San Francisco, collected the sum of two thousand dollars among the poets many friends and admirers, for the purpose of erecting a suitable monument at Guilford, Connecticut, his birth and burial place. It is made of Rhode Island granite, and is nearly eighteen feet high. Upon the front tablet is the simple inscription, in bas-relief. "Fitz-Greene Halleck, 1790-1867," and upon the cornice of the pedestal, the following lines from his poem of "Marco Bozzaris": "One of the few, the immortal names. That were not born to die." Above the inscription is a monogram, consisting of the Greek letters Alpha and Omega - the beginning and end - and near the foot of the obelisk an oak branch. Upon the opposite, or rear tablet, in bas-relief, is a lyre supported by two burning torches. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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