Ohio Archæological and Historical Publications, Vol. 11 (Classic Reprint)
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| Hersteller: | Forgotten Books (Society, Ohio State Archaeological and H) |
| Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from Ohio Archæological and Historical Publications, Vol. 11 [This is the second contribution of Mr. Taylor upon the subject. The first will be found on page 1, Volume IX, O. A. and H. Society Publication. - E. O. R.] In the July number of the Archaeological and Historical Quarterly for the year 1900 I gave some account of the history of the monuments that have been erected by white men to commemorate the memories of noted men of the Indian or Red Race. At that time I had knowledge of but four of such monuments. First, in order of time, was that erected to Chief Keokuk, at Keokuk, Iowa. The next was that of Leatherlips, near Columbus, Ohio. The third, was that of Red Jacket, at Buffalo, New York; and the fourth, was that of Chief Cornstalk, at Point Pleasant, West Virginia. Soon after that article was published, I learned of three monuments which had been omitted and more recently of one that is proposed and almost surely will be erected. The omitted ones were that of Chiefs Uncas and Miantonomoh at and near the town of Norwich, State of Connecticut, and that of Chief Sealth (Seattle) at Fort Madison on Puget Sound, near the town of Seattle, in the State of Washington. The proposed monument is that for Leopold and Simon PoKagon, father and son, who were the last and best known chiefs of the Pottawattamie tribe. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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