My Prisons
| Preis: | 21.95 EUR* (inkl. MWST zzgl. Versand - Preis kann jetzt höher sein!) |
| Versand: | 0.00 EUR Versandkostenfrei innerhalb von Deutschland |
| Partner: | buecher.de |
| Hersteller: | Forgotten Books (Pellico, Silvio) |
| Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from My Prisons: Memoirs of Silvio Pellico Silvio Pellico was born at Saluzzo, in North Italy, in the year of the fall of the Bastille, 1789. His health as a child was feeble, his temper gentle, and he had the instincts of a poet. Before he was ten years old he had written a tragedy on a theme taken from Macpherson´s Ossian. His chief delight as a boy was in acting plays with other children, and he acquired from his father a strong interest in the patriotic movements of the time. He fastened upon French literature during a stay of some years at Lyons with a relation of his mother´s. Ugo Foscolo´s Sepoleri revived his patriotism, and in 1810, at the age of twenty-one, he returned to Italy. He taught French in the Soldiers´ Orphans´ School at Milan. At Milan he was admitted to the friendship of Vincenzo Monti, a poet then touching his sixtieth year, and of the younger Ugo Foscolo, by whose writings he had been powerfully stirred, and to whom he became closely bound. Silvio Pellico wrote in classical form a tragedy, Laodicea, and then, following the national or romantic school, for a famous actress of that time, another tragedy, Francesca di Himini, which was received with great applause. After the dissolution of the kingdom of Italy, in April 1814, Pellico became tutor to the two children of the Count Porro Lambertenghi, at whose table hemet writers of mark, from many countries; Byron (whose Manfred he translated), Madame de Stael, Schlegel, Manzoni, and others. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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