Robert Browning and the English Pre-Raphaelites (Classic Reprint)
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| Partner: | buecher.de |
| Hersteller: | Forgotten Books (Watkins, Ralph Granger) |
| Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from Robert Browning and the English Pre-Raphaelites But the spiritual father of the new Romanticists in England, though possibly neither he nor they knew it, was, we believe, Robert Browning - Quarterly Review, July, 1896. Scattered surmises of Browning´s influence upon Pre-Raphaelite artists occur in various monographs and studies dealing with the Pre-Raphaelite movement in its individual or corporate character. W.M. Rossetti acknowledges some amount of influence upon his brother´s work, A.C. Benson, Rossetti´s most recent biographer, the same; Arthur Symons in An introduction to the study of Browning instances influence upon William Morris, Robert Steele, who treats Morris in the revised edition of Chambers´s Cyclopædia, does so too; Ester Wood in Dante Rossetti and the Pre-Raphaelite Movement allows some indebtedness in Rossetti´s case and W. Hamilton in his sketch of the Æsthetic Movement, which in its earlier stages he identifies with the Pre-Raphaelite, finds characteristics of Æsthesticism in Browning. That writers of whom these mentioned are only a selection, in nothing influence do not all detect it in the same places, opens a possibility that the phenomenon is more diffused that they think. The writer on Rossetti in the Quarterly Review for July, 1896, hazards the conjecture with which I have prefaced this essay, that Browning was the Pre-Raphaelites´ spiritual father. It will palpably repay investigating to what extent Browning served as inspirer and model, if he did not, like Ruskin, stand sponsor, to the Pre-Raphaelite group. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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