The North American Review, Vol. 66 (Classic Reprint)
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Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from The North American Review, Vol. 66 They know but little of an author´s trials who suppose them to begin and end with the composition of a book. It is hard work, it is true, to choose your subject, and when chosen, to divide it into its proper parts, to adjust them all nicely to one another, to make an accurate distribution of proof and development and illustration, to say just as much as you ought, and no more, and say it in a style and in language suited both to the subject and to the readers for whom it is designed. But when all this is accomplished, and you would fain launch your fragile bark upon the waters, how often are you at a loss to say under what name it shall go forth; to find that magic word, which, amid the contending crowd of courtiers and favorites, shall draw one inquiring glance to this unknown adventurer, and which, while it excites curiosity and awakens expectation, shall hold out no promise which you are not prepared to perform! In this respect we may congratulate Count Balbo upon his success. We may call him happy in the choice of a title so justly expressive of his own generous feelings; singularly felicitous in the selection of a word clear and definite in its promises, and which falls upon the ear like one of those mysterious strains which you sometimes hear, amid the dewy stillness of evening, from the ivy-crowned ruins of his own beautiful land. Twenty years ago, who would have thought of such a title? About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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