Maidu Texts, Vol. 4 (Classic Reprint)
| Preis: | 18.95 EUR* (inkl. MWST zzgl. Versand - Preis kann jetzt höher sein!) |
| Versand: | 0.00 EUR Versandkostenfrei innerhalb von Deutschland |
| Partner: | buecher.de |
| Hersteller: | Forgotten Books (Dixon, Roland B.) |
| Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from Maidu Texts, Vol. 4 The texts here presented form a part of the linguistic material collected during the years 1902 and 1903 for the California Expedition of the American Museum of Natural History in New York, which was maintained through the liberality of the late Mr. C. P. Huntington. All of the texts were secured at Genesee, Plumas County, California, from Tom Young, a half Maidu, half Atsugewi man, who, although only about thirty years of age, possessed an extensive knowledge of the myths of the Maidu of this region. The dialect in which the myths are recorded is that of the Northeastern Maidu, of which a grammatical sketch has been published in the "Handbook of American Indian Languages." English versions of many of these myths have already been published, and also a discussion of the main features of Maidu mythology and its relation to that of the surrounding tribes. The order of arrangement followed, places first the Creation Myth, obtained in two parts in successive years. The various tales relating particularly to Coyote come next, after which the order is in general dependent on relative importance, or wideness of relationship. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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