The Red Lily (Classic Reprint)
| Preis: | 18.95 EUR* (inkl. MWST zzgl. Versand - Preis kann jetzt höher sein!) |
| Versand: | 0.00 EUR Versandkostenfrei innerhalb von Deutschland |
| Partner: | buecher.de |
| Hersteller: | Forgotten Books (France, Anatole) |
| Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from The Red Lily The real name of the subject of this preface is Jacques-Anatole Thibault. He was born in Paris, April 16, 1844, the son of a bookseller of the Quai Malaquais in the shadow of the Institute. He was educated at the College Stanislas and published in 1868 an essay upon Alfred de Vigny. This was followed by two volumes of poetry: Les Pomees Dores (1873), and Les Noces Corinthiennes (1876). With the last mentioned book his reputation became established. Anatole France belongs to the class of poets known as "Les Parnassiens." Yet a hock like Les Noces Corinthiennes ought to be classified among a group of earlier lyrics, inasmuch as it shows to a large degree the influence of Andre Chenier and Alfred de Vigny. France was, and is, also a diligent contributor to many journals and reviews, among others, Le Glohe Les Débats, Le Journal Officiel, L´Echo de Paris, La Revue de Famille, and Le Temps. On the last mentioned journal he succeeded Jules Clarétic. He is likewise Librarian to the Senate, and has been a member of the French Academy since 1896. The above mentioned two volumes of poetry were followed by many works in prose, which we shall notice. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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