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The Coraddi, Vol. 26




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Hersteller:Forgotten Books (Author, Unknown)
Stand:2015-08-04 03:50:33

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Produktbeschreibung

Excerpt from The Coraddi, Vol. 26: Member of the North Carolina Press Association, Greensboro, N. C., June, 1922 It is too late for us to expect to achieve anything great along literary lines this year, but it is just time for us to start thinking about what we should do next year. No one doubts the fact that there is too little stress laid upon the importance of this type of work. Still there are few of us who are willing to even try to do our best toward contributing to the publications. In a college such as this one with girls here from all different parts of the country, we must realize that we have students who have had varied experiences and experiences that would probably be very interesting backgrounds for the kind of creative work that we need, here. In spite of the fact that we have athletic, student government, society, class, and other activities to keep us busy - it is certain that our college will not be what we want it to be until we have developed a creative spirit, because it is the result of this spirit that will cause our accomplishments in the other fields to be recognized. When we think of creative work done in colleges, we know that one of the finest examples is that done at Carolina by the Carolina Playmakers. These pioneers of the cause are striving to take North Carolina traditions, to give to these traditions a North Carolina setting and to make these traditions mean something to the people of the state. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


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