Festival of the Connecticut Association, at the Revere House, Boston, January 14, 1857
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Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from Festival of the Connecticut Association, at the Revere House, Boston, January 14, 1857: With the Constitution, Officers, and Members of the Association In the Spring of 1856, an informal meeting of Sons of Connecticut, residing in Boston and its vicinity, was called with a view to the formation of a Society for the purpose of mutual acquaintance, and the cultivation of friendly and social relations among each other; and also for the purpose of recalling the memory of tile great and good deeds and beneficent institutions of the father-land. Some fifty or sixty gentlemen responded to the call, and a Committee of their number was raised, who subsequently reported a plan of organization, and a constitution and by-laws for the Society, under the name of the Connecticut Association, it being designed to include ladies, as well as gentlemen, of Connecticut birth or descent, residing in Massachusetts. The Association has flourished uninterruptedly; several stated meetings have been held, in furtherance of its objects; and its first Annual Festival was celebrated with great brilliancy and success, at the Revere House, on the 14th of January, 1857. The occasion was one of much interest. The tables were laid for two hundred and fifty persons, and they were filled. They were ornamented with great elegance and beauty. A most interesting feature of the occasion was the presence of ladies. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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