The Complete Works of Brann the Iconoclast, Vol. 8 (Classic Reprint)
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Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from The Complete Works of Brann the Iconoclast, Vol. 8 The editor of the Iconoclast knows too much to have his bridle off. He is the most dangerous person at an editorial desk in the United States. Pagan Bob and this erudite blasphemer are of the same stripe. Catholics are reading his screeds by the wholesale, and we are astonished to see some Catholic editors still using them as a weapon. It will bum the hand that wields it. We need builders, not iconoclasts. - The Angelus Magazine. Och! Wurra! wurra! Just listen to that now! My Cincinnati contemporary puts the whole Protestant world under lasting obligations - by demonstrating that its editors have no monopoly of nonsense; that a Catholic ink-slinger can be almost as great a dunderhead and myopic bigot as our own Brer Cranfill. But the Angelus Magazine is very young, and probably its editor also. These be journalistic faults, which, by Gods grace, it may outgrow. The Iconoclast always treats its youthful contemporaries kindly, for it realizes that whom the gods right dearly love are apt to die in their swaddling clothes. They are too good for this gross earth; hence the angels steal ´em, leaving us to spill the scalding sob on a few dusty patent medicine cuts, railways ads., and other pathetic evidences of their mortality. Furthermore, the Iconoclast delights to set a good example in Christian charity and brotherly kindness for its religious contemporaries. That´s what it is here for. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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