Waverley Novels in the Maiden of the Mist, Vol. 1 of 2 (Classic Reprint)
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Partner: | buecher.de |
Hersteller: | Forgotten Books (Scott, Walter) |
Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from Waverley Novels in the Maiden of the Mist, Vol. 1 of 2 With "The Fair Maid of Perth" we take farewell of Scott at his best, though "even from the stubble one may tell what the grain has been." "Anne of Geierstein" was no favourite of the author´s, and, as Mr. Matthew Arnold says, the world does not contemplate with pleasure what the poet creates without joy. The novel was begun in the late summer or autumn of 1828, but for part of the time Scott neglected his Diary. He was become (June 19) "a writing automaton," and suffered much pain from rheumatism and rheumatic headaches. He feared that this affected "the quality of the stuff," but he was not one who "waited for the spark from heaven to fall." He plodded on, in these late years, invita Minerva. Of old the goddess had generally been willing; but now his task took the likeness of journalism, the round had to be trodden, be he well or be he ill. Masterpieces are not written thus: it is the moral effort that we admire, and the contempt for fame, even for art, compared with the respect for duty. Scott believed in his duty and in his power of will, but imagination will not obey a moral dictate. We find Ballantyne "complaining of his manuscript": the wearied hand no longer wrote legibly, despite the mechanical supports which he used. "I cannot trace my pieds de mouche but with great labour and trouble" (June 22). About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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