Miscellanies, Vol. 2 of 3
| Preis: | 21.95 EUR* (inkl. MWST zzgl. Versand - Preis kann jetzt höher sein!) |
| Versand: | 0.00 EUR Versandkostenfrei innerhalb von Deutschland |
| Partner: | buecher.de |
| Hersteller: | Forgotten Books (Wordsworth, Christopher) |
| Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from Miscellanies, Vol. 2 of 3: Literary and Religious In an ancient fresco painting, from the Catacombs of Rome, our Blessed Lord is represented having a nimbus of glory on His head, and seated on a throne, and having in His left hand an Open Book (representing the Holy Bible) and raising His right hand in the act of Blessing. The Bible is also represented in its composite character, that is, as consisting of various writings, by two cylinders or capsoe containing written rolls, symbolizing the books of the Two Testaments. And the method in which the Bible is given by Christ to the World is shown by the figures of the two Apostles, St. Peter, the Apostle of the Circumcision, and St. Paul, the Apostle of the Gentiles, the one on one side of Christ, the other on the other side. Thus is displayed the great truth, that the Written Word is avouched by Jesus Christ, the Incarnate Word; that it is His will that it should be opened in the eyes of all, to be seen, heard, and read by all; and that the Holy Scriptures are delivered by Him to the Apostolic Ministry of His Church, in order to be guarded, interpreted, and preached by her to all the world. This ancient fresco is a pictorial Essay on the Inspiration of the Bible. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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