Specimens, With Memoirs of the Less-Known British Poets, Vol. 1 of 3
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| Partner: | buecher.de |
| Hersteller: | Forgotten Books (Gilfillan, George) |
| Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from Specimens, With Memoirs of the Less-Known British Poets, Vol. 1 of 3: With an Introductory Essay We propose to introduce our ´Specimens´ by a short Essay on the Origin and Progress of English Poetry on to the days of Chaucer and of Gower. Having called, in conjunction with many other critics, Chaucer ´the Father of English Poetry,´ to seek to go back further may seem like pursuing antenatal researches. But while Chaucer was the sun, a certain glimmering dawn had gone before him, and to reflect that, is the object of the following pages. Britain, when the Romans invaded it, was a barbarous country; and although subjugated and long held by that people, they seem to have left it nearly as uncultivated and illiterate as they found it. ´No magnificent remains,´ says Macaulay, ´of Latían porches and aqueducts are to be found in Britain. No writer of British birth is to be reckoned among the masters of Latin poetry and eloquence. It is not probable that the islanders were, at any time, generally familiar with the tongue of their Italian rulers. From the Atlantic to the vicinity of the Rhine the Latin has, during many centuries, been predominant. It drove out the Celtic - it was not driven out by the Teutonic - and it is at this day the basis of the French, Spanish, and Portuguese languages. In our island the Latin appears never to have superseded the old Gaelic speech, and could not stand its ground before the German.´ It was in the fifth century that that modification of the German or Teutonic speech called the Anglo-Saxon was introduced into this country. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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