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The Edinburgh Review or Critical Journal, Vol. 223




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Excerpt from The Edinburgh Review or Critical Journal, Vol. 223: January, 1916 April, 1916, to Be Continued Quarterly To assert this, and to talk, as too many English publicists have done, of a New France, created at the moment of the declaration of war on purpose to resist the advances of Germany, is not merely, in our opinion, to state a matter of history incorrectly, but it is to do a grave injustice to the intelligent evolution of French sentiment. The France which is now so gallantly fighting with us and with the rest of the Allies to prevent the triumph of Teutonic evil is simply the France which has long been in preparation for a life-struggle with the powers of darkness. Those who detested France and had every spiritual and material reason for depreciating her values continued to repeat, with nauseous iteration, that she was in full decadence, and that her race was eaten out to the core by the white ants of social disorder. The disputes of radicals and moderates, of socialists and reactionaries, of anti-militarists and clericals, were pointed to with glee as the evidences of ethical chaos in a bewildered people, and events like the Caillaux trial and its result saddened the best friends of France as much as they were exulted over in Berlin. What has not been understood has been the superficial character of these symptoms. The pretended levity of Paris was all on the surface, and even there, if the exotic elements were eliminated and the action of the parasitic population removed, there was little for a formalist to condemn or even reprove. What in the charming gaiety of the French might seem, in face of the most painful contingencies of the moment, to be frivolous, was thrown like a gauze veil over the harsher lines of life. This complaint of the levity of France is one of the poorest excuses which dulness can make for its own want of amiability. No one has put the matter more vividly than Voltaire when he says: ´Il me semble que la vertu, l´etude et la gaiete sont ´trois soeurs qu´il ne faut point separer.´ For our own part, so far from reproaching France with her frivolity, we should be inclined to regret the increasing seriousness of the national countenance, which of late years has seemed less and less ready to break out into those ripples of laughter which have always fascinated the nations. Yet, if France has of late laughed less, her smile has on occasion been more beautiful than ever. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


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