The Twelve Best Short Stories
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| Hersteller: | Forgotten Books (Dorchain, Auguste) |
| Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from The Twelve Best Short Stories: In the French Language French literature is perhaps more abundant than any other in those short works of imagination that are called in France contes or nouvelles, in order to contrast them with those extended narratives for which the name of romans is reserved. As far back as the Middle Ages, during the period of the interminable chansons de geste, then of the romances of chivalry, not less diffuse, which succeeded them, the French took pleasure in telling short stories, of which some, such as Aucassin and Nicolette, still retain, for those whom their antiquated language does not repel, much interest and charm. In like manner, when the Renaissance ends, in the period of the ample burlesque epic of Rabelais, the Queen of Navarre, in the tales of her Heptameron, vies with the novllieri of Italy. In the following century, during which Spanish influence prevailed, we hardly find any more short stories appearing in separate form, but novelists, in the manner of Cervantes in his Don Quixote, interpolate some here and there in the plot of their main works of fiction, as halts and resting-places for the mind of the reader: like D´Urfe in his Astrea, or Madame De La Fayette in Zaïde; like, again, Le Sage in his Gil Bias at the beginning of the eighteenth century. Later on, the eighteenth century will come to restore the genre to its sway, and Voltaire will be a master in it; nevertheless he will hardly cultivate it without making it serve philosophical purposes. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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