The Conduct of Composition Work in Grammar Schools (Classic Reprint)
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| Partner: | buecher.de |
| Hersteller: | Forgotten Books (Clapp, Henry Lincoln) |
| Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from The Conduct of Composition Work in Grammar Schools There is generally no work in a grammar school more unsystematic than work in composition. Its conduct is too often left to the judgment of individuals, without reference to a general plan. In this way some parts of the subject are sure to be slighted in a greater or less degree, if not overlooked altogether. Composition work should have its own time and place in a working program, in order to insure regularity of occurrence and frequency of performance. Spasmodic work will result no more successfully here than in arithmetic, grammar, music, or any other study. It should articulate throughout a school as other subjects do, if any progress is to be expected from year to year. The object of all composition work should be growth in the two lines of matter and form. We must steer our course as skilfully as may be between the Scylla of unpunctuated, formless matter, and the Charybdis of punctuated formalism. In the past we have sacrificed too much to form, and the result has not seldom been a dread of composition writing on the part of the pupils and despair on the part of the teacher. Our first aim, then, must be to induce the children to write spontaneously, in order that we may know where to help them. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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