Red Paracelsus; Night-Cap Country, Pippa Apology, Vol. 5
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| Partner: | buecher.de |
| Hersteller: | Forgotten Books (Browning, Robert) |
| Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from Red Paracelsus; Night-Cap Country, Pippa Apology, Vol. 5: The Inn, Album; King and How, He Worked in Distemper, and Other Poems Red Cotton Night-Cap Country or Turf and Towers To Miss Thackeray. I. And so, here happily we meet, fair friend! Again once more, as if the years rolled back And this our meeting-place were just that Rome Out in the champaign, say, o´er-rioted By verdure, ravage, and gay winds that war Against strong sunshine settled to his sleep; Or on the Paris Boulevard, might it prove, You and I came together saunteringly, Bound for some shop-front in the Place Vendome - Goldsmithy and Golconda mine, that makes "The Firm-Miranda" blazed about the world - Or, what if it were London, where my toe Trespassed upon your flounce? "Small blame," you smile, Seeing the Staircase Party in the Square Was Small and Early, and you broke no rib. Even as we met where we have met so oft, Now meet we on this unpretending beach Below the little village: little, ay! But pleasant, may my gratitude subjoin? Meek, hitherto un-Murrayed bathing-place, Best loved of seacoast-nookful Normandy! That, just behind you, is mine own hired house: With right of pathway through the field in front, No prejudice to all its growth unsheaved Of emerald luzern bursting into blue. Be sure I keep the path that hugs the wall, Of mornings, as I pad from door to gate! About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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