Sara Videbeck and the Chapel (Classic Reprint)
| Preis: | 18.95 EUR* (inkl. MWST zzgl. Versand - Preis kann jetzt höher sein!) |
| Versand: | 0.00 EUR Versandkostenfrei innerhalb von Deutschland |
| Partner: | buecher.de |
| Hersteller: | Forgotten Books (Almqvist, C. J. L.) |
| Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from Sara Videbeck and the Chapel The years 1830 to 1850 formed a period of unrest in Europe. The artistic freedom and individualism of the Romantic revolt had helped to prepare the way for social and political liberalism, while a more intense study of history, folklore, and language had stimulated a greater interest in the common people. Romanticism, vague and subjective, had contained from the first the elements of dissolution. Its late sponsors, therefore, sensitive to both their own poetic self and the more objective trend of the time, vacillated between the unreal and the real, until the latter predominated, giving birth to realism. Obviously, Scandinavia could not remain immune to the strong current tendencies in other countries, a fact which is best exemplified, perhaps, in the work of a Swedish writer, Carl Jonas Love Almquist. Though singularly independent, the strange novelist represents both the culmination and decline of the Romantic cult and the beginning of a new order. His best literary products appeared during this unsettled period of transition, and the two here offered, both pioneers of their kind, and published in the fourth decade, indicate a new democratic, realistic spirit in Northern culture. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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