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Poetical Works, Vol. 1 (Classic Reprint)




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Hersteller:Forgotten Books (Boas, Frederick S.)
Stand:2015-08-04 03:50:33

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Produktbeschreibung

Excerpt from Poetical Works, Vol. 1 The first poem, A Canto on the death of Eliza, originally formed part of the academic miscellany, Sorrowes Joy. Or, A Lamentation for our late deceased Soveraigne Elizabeth, with a triumph for the prosperous succession of our gratious King, James, published at Cambridge by John Legat in 1603. It was reprinted by Nichols in his Progresses of Queen Elizabeth, vol. III. 257 - 9 (1805), and his Progresses of James I., vol. I. 17 - 19 (1828). Grosart adopted the text used in the Progresses of James I., but with some inaccuracies. The poem is here reproduced from the original version in Sorrowes Joy. Christs Victorie and Triumph is reprinted from the Quarto published at Cambridge by Cantrell Legge in 1610. This was the only edition which appeared in the author´s lifetime, and it has therefore been taken as the basis of the present text. But the edition issued at Cambridge in 1632 by Francis Green must have had the authority, and probably the supervision, of Phineas Fletcher, who appended to his original commendatory stanzas (cf. p. 14 and Notes) a couplet addressed Defuncto fratri. Think (if thou canst) how mounted on his spheare, In heaven now he sings: thus sung he here. Its readings, therefore, claim special consideration, and, in some cases, indicated by square brackets, they have been adopted in preference to those of the earlier edition. All variants are recorded in the Notes. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


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