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The Edinburgh Review, Vol. 69




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Excerpt from The Edinburgh Review, Vol. 69: Or Critical Journal; For April;;; July, 1839, to Be Continued Quarterly We have upon two former occasions walked through the mighty gallery of Portraits which the reigns of the last two Georges furnished out. The figures which we there contemplated were, for the most part, those of the greater men of their age; - men whose genius has raised or adorned their country, and whose superiority, not merely to the bulk of mankind, but to the men whose names sound in the mouths of the multitude, is at once confessed as soon as they are mentioned. History, however, performs but half her office, nor perhaps the most useful portion of it, if she commemorates only those lights of the world, and preserves no lineaments of men whose place is less ambitious, whose merits are more unpretending, but whose virtues, for that very reason, are the more easily emulated, and thus may produce a wider and more salutary influence upon the fortunes of future times. The habit of looking down upon useful mediocrity is not founded in any reason, and is apt to produce hurtful consequences. It is fitting, no doubt, that the oratorical efforts of a Fox, a Pitt, a Burke, be held up to admiration - that the ancient virtue and brilliant talents of a Romilly should be handed down to posterity - and that other ages, as well as his own, should know how justice was distributed by Mansfield, as well as what thunders from Chatham shook the senate and awed the meaner natures of grovelling contemporaries. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


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