Caricature History of the Georges
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| Partner: | buecher.de |
| Hersteller: | Forgotten Books (Wright, Thomas) |
| Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from Caricature History of the Georges: Or, Annals of the House of Hanover, Compiled From the Squibs, Broadsides, Window Pictures, Lampoons, and Pictorial Caricatures of the Time The application of song, and satire, and picture to politics, is a thing of no modern date; for we trace it more or less among every people with whose history we have much acquaintance. Caricatures have been found in Egyptian tombs. The song and the lampoon were the constant attendants on, and incentives in, those incessant political struggles which, during the middle ages, were preparing for the formation of modern society; and many an old manuscript and sculptured block, whether of wood or stone, show that our forefathers in those times understood well the permanent force of pictorial satire. But it is more especially in religious matters that the middle ages, like antiquity, have shown a full perception of the importance of appealing through the eye to the hearts of the masses. In the rapid and temporary movements of political strife, this weapon could not bo adopted with much effect until after the invention of printing, when, by a quick process, pictures engraved could be multiplied indefinitely. It was in the latter part of the sixteenth, and especially during the seventeenth century, that engraved caricatures became a very formidable instrument in working upon the feelings of the populace. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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