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The Expositor, Vol. 7 (Classic Reprint)




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Hersteller:Forgotten Books (Cox, Samuel)
Stand:2015-08-04 03:50:33

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Produktbeschreibung

Excerpt from The Expositor, Vol. 7 Two important questions may be asked concerning Paul´s Christian theology: where did he get it? and, whence do we obtain our knowledge of it: It is with the latter of these questions that we are now to be occupied. By "sources" is here meant the literary materials available for becoming acquainted with the great Gentile Apostle´s characteristic way of thinking on the leading themes connected with the Christian faith. If we wanted to know, as far as is possible, all that Paul thought on any topic relating to the faith, we should have to regard all his extant epistles as our sources, and our first task would be to ascertain to the best of our ability how many of the separate writings ascribed to hi in the New Testament are authentic. If, in the other hand, our aim be, as it is, to determine the nature of the distinctively Pauline type of Christianity, to make ourselves acquainted with what Paul called his gospel, or what, in modern phrase, we call Paulinism, it is really not necessary to do more than study carefully four of the reputedly Pauline Epistles, those viz. to the Galatian, Corinthian and Roman churches respectively. This limitation of the field to be studied, while reducing the subject to manageable dimensions, may be justified by other considerations possessing more weight than can attach to reasons of personal convenience. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


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