The Expositor, Vol. 6 (Classic Reprint)
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| Hersteller: | Forgotten Books (Nicoll, W. Robertson) |
| Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from The Expositor, Vol. 6 In my previous paper I pointed out what appeared to me the overwhelming objections to the Tübingen theory, that the Epistle was written in the middle of the second century after Christ. I have now to examine the opposite theory which makes it a product of the first century before Christ. As I joined Julicher with Harnack in considering the former theory, so I propose to supplement Spitta´s Zur Geschichte des Urchristenthums by Massebieau´s very interesting paper, L´Epitre de Jacques, est-elle l´auvre d´un Chrétien, pp. 1-35, reprinted from the Revue de l´histoire des Religions for 1895, in which he arrives independently at the same conclusion as Spitta. The arguments adduced in favour of the pre-Christian authorship of the Epistle seem to me to be of far greater weight than those which we have previously considered, and I am willing to admit that a strong case is made out for the supposition of interpolation in chap. ii. 1; still my opinion as to the genuineness of the Epistle, as a whole, remains unshaken. The main point of attack is of course the universally acknowledged reticence as to higher Christian doctrines and to the life and work of our Lord. What is new is (1) the careful examination of the two passages in which the name of Christ occurs, and (2) the attempt to show that there is nothing in the Epistle which may not be paralleled from Jewish writings. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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