The Manchester Quarterly, Vol. 18
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| Hersteller: | Forgotten Books (Club, Manchester Literary) |
| Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from The Manchester Quarterly, Vol. 18: A Journal of Literature and Art Happily the time has not arrived yet for estimate of the life-work of Clarence Whaite. With the burden of seventy years upon him, he is still energetic and hearty, and actively pursues his calling. May it be long before his friends can no longer receive his cheery welcome at the little cottage close by his well-loved Conway river. He tells of one friend who set out to find him there, but turned back in despair, complaining that no man had a right to plant himself so far beyond the bounds of civilization. Those who either alone, or under his guidance, have found their way to Tyddyn Cynal, know what an ideal landscape painter´s home is there. But though, as yet, we have not to ask what Clarence Whaite did, but only what he has done, the recent exhibition of his works at the Manchester City Art Gallery is perhaps a sufficient reason for some reference to him now. It is only one phase of our painter´s work upon which I wish to dwell. It is a phase relating not so much to his technique, or to his rendering or idealising this or that feature of natural beauty. It is a phase which reveals one attitude of his mind towards nature as a whole. Rossetti said of Wordsworth that he was too much the High-Priest of Nature to be her lover. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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