Who Was Responsible? (Classic Reprint)
| Preis: | 17.95 EUR* (inkl. MWST zzgl. Versand - Preis kann jetzt höher sein!) |
| Versand: | 0.00 EUR Versandkostenfrei innerhalb von Deutschland |
| Partner: | buecher.de |
| Hersteller: | Forgotten Books (Shaw-Fullilove, Maggie) |
| Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from Who Was Responsible? Maggie Shaw-Fullilove, the author of this story, was born in LaFayette County, Mississippi, January 27, 1884, and died in Yazoo City, Mississippi, October 30, 1918. She was the youngest daughter of Mrs. Maria Petty-Shaw and the Rev. D. P. Shaw, a preacher of the Methodist Episcopal Church. Her parents were ex-slaves, without school advantages, but with such a passion for education as found fruitage in the college education for all their children. Maggie Shaw was graduated from Rust University, Holly Springs, Mississippi, with the degree of A. B. in the class of 1907. Soon thereafter she was married to Dr. Robert E. Fullilove, who afterwards located in Yazoo City, Mississippi. Three children were born to that union. A faithful and devoted wife and mother, she nevertheless found time to give to the writing of short stories for publication in newspapers and magazines. Various stories with moral and religious messages, such as "Sweet Peas Between," "Navy Blue Velvet," "Pass It On," "The Making of Leon Tony," and "Sermons in Stones" came rapidly from her pen. She never wrote for mere entertainment. She was a gifted singer as well as writer, and employed her talents in the local church choir. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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