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Tom Quick (Classic Reprint)




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12.95 EUR*
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Versand:0.00 EUR Versandkostenfrei innerhalb von Deutschland
Partner:buecher.de
Hersteller:Forgotten Books (Allerton, James M.)
Stand:2015-08-04 03:50:33

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Produktbeschreibung

Excerpt from Tom Quick (Maggie strikes Quick on head.) Come, Pomp, no play here! Pomp. I no play, cept I play on dis hoop. (Maggie strikes Pomp on head, Pomp runs and beckons Quick to come to him.) Quick. Why, Pomp, you look as if you had seen a ghost. Pomp. Dere is an Injun in dat barrel. I seed him wid my own eyes. He hit me on de head. Sound like a drum. Quick. Did you strike me a moment ago? Pomp. No. Quick. Something did. Pomp. I tell you, massa, it was an Injun. I seed him. He after my scalp. Oh - oh. Quick. You may be right, Pomp. Run to the house and get the gun. (Exit Pomp.) Is this the natural or the super-natural? Certainly, something struck me on the head. As Pomp says, it sounded like a drum. Enter Pomp with gun. Pomp. Now, massa, shoot em! Shoot em! Quick. Not until we have seen something to shoot. Pomp. Shoot de barrel, massa, shoot de barrel. Quick. No! You go and upset the barrel, and I will stand on guard. Pomp. If I find an Injun dere, I´ll sarve him as Jonah did de whale - I´ll eat em up. (Pomp starts for the barrel, shaking with fear.) Mr. Injun - Mr. Injun, now I hab you. (Dropping on the floor and crawling toward the barrel; is then seized with fear and rolls away, then crawls to the barrel and upsets it.) Dere he is, massa. Shoot´m! Shoot´m! (Pomp runs off with fear. Enter Maggie from behind barrel, laughing.) About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


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