The North American Review, Vol. 32 (Classic Reprint)
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Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from The North American Review, Vol. 32 This little work is frequently put into the hands of travellers at Rome, as a good guide, in the survey of the productions of the ancient and modern arts. It is anonymous, but we believe it is the composition of Milizia, a highly approved modern writer on architecture. It inculcates the doctrines of the modem German school in matters of taste, as may be inferred from the title; and its chief fault perhaps is an affectation of originality, and misplaced emphasis of expression. The following passage will be sufficient to indicate the principles, which are inculcated in the work, and will serve, at the same time, as a suitable introduction, to the remarks, which we propose to submit to the indulgence of our readers. ´The artist, who should imitate nature, such as she is, would entirely fail of his object. It is not worth so much trouble, to imitate that, which we have constantly under our eyes. The true worth of art is, to develope that, which in nature is never found united in one object. For this reason, those, who confine themselves merely to copying nature, are called naturalists, and whatever amount of labor they may put into their copies, they can deserve no great applause. There are occasions, when such imitation would be censurable, and the more so, the more faithful it is. Who could endure the sight of torments and monsters, if so faithfully represented as to seem real? About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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