Ancient and Modern, Vol. 2 of 46 (Classic Reprint)
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| Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from Ancient and Modern, Vol. 2 of 46 The Arabian Nights; By Richard Gottheil From ´The Story of the City of Brass´ (Lane´s Translation) From ´The History of King Omar Ben Ennuman, and his Sons Sherkan and Zoulmekan´ (Payne´s Translation) From ´Sindbad the Seaman and Sindbad the Landsman´ (Burton´s Translation) Conclusion of ´The Thousand Nights and a Night´ (Burton´s Translation) Arabic Literature; By Richard Gottheil Imr-al-Kais: Description of a Mountain Storm Zuheir: Lament for the Destruction of his Former Home Tarafah ibn al´Abd: Rebuke to a Mischief-Maker Labid: Lament for the Afflictions of his Tribe Antar: A Fair Lady Duraid, Son of as-Simmah: The Death of ´Abdallah Ash-Shanfara of Azd: A Picture of Womanhood ´Umar ibn Rabi´a: Zeynab at the Ka´bah ´Umar ibn Rabi´a: The Unveiled Maid Al-Nabighah: Eulogy of the Men of Ghassan Nusaib: The Slave-Mother Sold Al-Find: Vengeance Ibrahim, Son of Kunaif: Patience Abu Sakhr: A Lost Love Abu l-´Ata of Sind: An Address to the Beloved Ja´far ibn ´Ulbah: A Foray Katari ibn al-Fuja´ah: Fatality Al-Fadi ibn al-Abbas: Implacability Hittan ibn al-Mu´alla: Parental Affection Sa´d, son of Malik: A Tribesman´s Valor From Sale´s Koran: - Chapter xxxv.: "The Creator"; Chapter 1v.: "The Merciful"; Chapter 1xxxiv.: "The Rending in Sunder" Al-Hariri: His Prayer Al-Hariri: The Words of Hareth ibn Hammam The Caliph Omar Bin Abd Al-Aziz and the Poets (From ´Supplemental Nights´: Burton´s Translation) About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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