Mary Broome
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| Versand: | 0.00 EUR Versandkostenfrei innerhalb von Deutschland |
| Partner: | buecher.de |
| Hersteller: | Forgotten Books (Monkhouse, Allan Noble) |
| Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from Mary Broome: A Comedy in Four Acts [The Drawing-room in a biggish suburban villa - The furniture, &c., are in iniddling taste. Edgar Timbrell, an Ordinary young man of nearly thirty in neat tweeds is sprawling self-consciously on the sofa. Ada and sheila are opening a parcel. They are the ordinary middle-class young women who might develop in all manner of unexpected ways and usually do not.] Sheila. Come and look, Edgar. Ada. He´s only pretending not to care. Sheila. Lend me your knife. [She takes it from him and cuts the string.] I brought this over without opening it just to let you see it too. Edgar. For Heaven´s sake remember who sent them all. Sheila. It´s all right. Ada´s keeping a list. Edgar. Well, get all the fun out of it you can. You won´t often have the chance of being married. Sheila. [Opening the parcel.] Oh! how nice! What do you mean, Edgar? I´ve had lots of chances. Edgar. You can´t go on having them now, though. Ada. Let me see, Sheila. Sheila. No, that´s why I want everything to be nice. Instead of all those chances I want one delightful reality. A sweet little tea caddy; that´s two; the other was bigger. One delightful reality, Edgar. You´ve got to see to that. Edgar. Oh! I´ll make a jolly good husband. Sheila. I wasn´t thinking of that. I was only thinking of the wedding. One thing at a time. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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