Cambridge English Classics, Vol. 7 of 10
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| Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from Cambridge English Classics, Vol. 7 of 10: The Works of Francis Beaumont and John Fletcher Enter Lisauro, Terzo, Ismenia, and Aminta. Lis. Let the Coach go round, we´ll walk along these Meadows: And meet at Port again: Come my fair Sister, These cool shades will delight ye. Am. Pray be merry, The Birds sing as they meant to entertain ye, Every thing smiles abroad; methinks the River (As he steals by) curies up his head, to view ye: Every thing is in love. Ism. You would have it so. You that are fair, arc easie of belief, Cosen, The theam slides from your tongue. Am. I fair? I thank ye: Mine´s but shadow when your Sun shines by me. Ism. No more of this, you know your worth (Aminta) Where are we now? Am. Hard by the Town (Ismena). Ter. Close by the Gates. Ism. ´Tis a fine Ayr. Lis. A delicate; The way so sweet and even, that the Coach Would be a tumbling trouble to our pleasures: Methinks I am very merry: Ism. I am sad: Am. You are ever so when we entreat ye (Cosen) Ism. I have no reason: such a trembling here Over my heart methinks: Am. Sure you are fasting; Or not slept well to night; some dream (Ismena?) (cent, Ism. My dreams are like my thoughts, honest and inno- Yours are unhappy; who are these that coast us? [Enter You told me the walk was private. Antonio and Martin. Ter. ´Tis most commonly: Ism. Two proper men: It seems they have some business, With me none sure; I do not like their faces; They are not of our Company: About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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