Making a Sister
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| Partner: | buecher.de |
| Hersteller: | Forgotten Books (Sargent, Epes Winthrop) |
| Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from Making a Sister: A Mock Initiation for Ladies Scene. - A parlor. Parlor suit with extra camp chairs if necessary. Room arranged as though for a meeting. Large chair, draped, at R., for Supreme Sister. One at L., for Assistant Supreme Sister. On either side of her are chairs for leaders. Gatekeepers on either side of door, C. Secretary and treasurer in upper corners. In C., a small table, draped, on which are displayed the skull and cross bones. The skull is a tobacco jar partly full. (At curtain, all on except Mrs. Spiration. All are talking except Mrs. Innitt, who is in her place at R., and rapping for order. She uses a small tack hammer as a gaveI.) Mrs. Inn. Come, girls, this will never do. The first thing you must learn is to come to order at the sound of the gavel. Mrs. Metue. Is that what it is? I thought you were just knocking - as usual. Mrs. Inn. I suppose you think that´s funny? Miss Oneley. Is that a gavel? I thought gavels were like - like - (pause) like a stick stuck into a turnip. Mrs. Inn. So they are. I asked Mr. Innitt to loan me the one he uses in his lodge, but he said that if the United Sisters of Sympathy were anything like the rest of the women´s societies he knew of wed break at least two at each meeting, and he wasn´t taking any chances with a perfectly good gavel. Omnes. Brute - the mean thing, etc. Mrs. Ittue. Well, I don´t think that a tack hammer looks dignified. A potato masher would be more like a real gavel. Mrs. Inn. I know it would. I asked the cook for ours, but she wouldn´t let me take it. Mrs. M. Wouldn´t let you take it! Id like to see a cook of mine tell me I couldn´t have my own potato masher. Mrs. Inn. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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