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Mr. Crewe´s Career (Classic Reprint)




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Hersteller:Forgotten Books (Churchill, Winston)
Stand:2015-08-04 03:50:33

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Produktbeschreibung

Excerpt from Mr. Crewe´s Career I may as well begin this story with Mr. Hilary Vane, more frequently addressed as the Honourable Hilary Vane, although it was the gentleman´s proud boast that he had never held an office in his life. He belonged to the Vanes of Camden Street, - a beautiful village in the bills near Ripton, - and was, in common with some other great men who had made a noise in New York and the nation, a graduate of Camden Wentworth Academy. But Mr. Vane, when he was at home, lived on a wide, maple-shaded street in the "city" of Ripton, cared for by an elderly housekeeper who had more edges than a new-fangled mowing machine. The house was a porticoed one which had belonged to the Austens for a hundred years or more, for Hilary Vane had married, towards middle age, Miss Sarah Austen. In two years he was a widower, and he never tried it again; he had the Austens´ house, and that many-edged woman, Euphrasia Cotton, the Austens´ housekeeper. The house was of wood, and was painted white as regularly as leap year. From the street front to the vegetable garden in the extreme rear it was exceedingly long, and - perhaps for propriety´s sake - Hilary Vane lived at one end of it and Euphrasia at the other. Hilary was sixty-five, Euphrasia seventy, which is not old for frugal people, - though it is just as well to add that there had never been a breath of scandal about either of them, in Ripton or elsewhere. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


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