Specimens, With Memoirs of the Less-Known British Poets, Vol. 2 of 3
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| Partner: | buecher.de |
| Hersteller: | Forgotten Books (Gilfillan, George) |
| Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from Specimens, With Memoirs of the Less-Known British Poets, Vol. 2 of 3: With an Introductory Essay This poet might have been expected to have belonged to the "Spasmodic school,´ judging by his parental antecedents. His father was accused of having a share in Babington´s conspiracy, but was released because he was godson to Queen Elizabeth. Soon after, however, he was imprisoned a second time, and condemned to death on the charge of having concealed some of the Gunpowder-plot conspirators; but was pardoned through the interest of Lord Morley. His uncle, however, was less fortunate, suffering death for his complicity with Babington. The poet´s mother, the daughter of Lord Morley, was more loyal than her husband or his brother, and is said to have written the celebrated letter to Lord Monteagle, in consequence of which the execution of the Gunpowder-plot was arrested. Our poet was born at Hindlip, Worcestershire, on the very day of the discovery of the plot, 5th November 1605. The family were Papists, and William was sent to St Omers to be educated. He was pressed to become a Jesuit, but declined. On his return to England, his father became preceptor to the poet. As he grew up, instead of displaying any taste for ´treasons, stratagems, and spoils,´ he chose the better part, and lived a private and happy life. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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