Lectures on the Teaching of Composition (Classic Reprint)
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Partner: | buecher.de |
Hersteller: | Forgotten Books (Campagnac, Ernest Trafford) |
Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from Lectures on the Teaching of Composition Some apology seems to be needed for the publication of these lectures. They were prepared for my own pupils, and are here printed, except for a few slight changes, as they were delivered. They formed part of a long series of lectures, accompanied and, I trust, illustrated, corrected, or re-enforced by observation and practice in schools - a series intended to direct the attention of students, presently to become teachers, to some of the main problems with which they will have to deal. It may be said with truth that the best way to learn to teach is to try. to teach, and that the best way to train students for teaching is to give them opportunities for practice. And practice has in fact always formed a large part of the "training," whether that process has been regarded as limited by student-days, or more happily conceived as extending through life. But though practice yields much, it yields less than all that is needed. I do not speak now of studies of high value for a teacher, and necessary indeed if he is to enter into his full inheritance of knowledge and of power - studies, for example, in the history of Education, or in Ethics, or Psychology. In addition to practice and concurrently with it the student must get advice. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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