The New Original Fairy Extravaganza
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Partner: | buecher.de |
Hersteller: | Forgotten Books (Edwards, Henry Sutherland) |
Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from The New Original Fairy Extravaganza: In Two Acts, Entitled Noureddin, and the Fair Persian, as Performed at the Princess´s Theatre, Easter Monday, April 9th, 1849 Scene I. - A Fairy Lake - as usual, "by the light of the moon." Nemorella, Abborella, and Attendant Fairies. [Music - from the "Night Dancers." Nem. You know that, at this season of the year, It is our custom to assemble here, To talk of what is passing on the earth: You know that Persian girl, who, since her birth, Has been my protegée? Arb. Oh - what´s her name? D´ye mean the young Nekayah? Nem. Yes; the same. Well, she was nourish´d once in Fortune´s lap, But now has slipp´d from it, by some mishap. Fortune on earth is so extremely fickle, That now the girl is in a thorough pickle; But, as I´ve made a vow that I would serve her, I´ll get her from the pickle, and preserve her. Arb. If by the slightest evil she´s attack´d, I for her benefit will gladly act. Nem. Well, it appears the young Nekayah´s blest With an old guardian, who´s a perfect pest; And who desires, to prove his great affection, To take her thoroughly ´neath his protection. He made her presents; but was such a bore, She said at once she liked his absence more. With billets-doux he constantly beset her; So that he kept it up, e´en to the letter. His love was not return´d - his letters were; In fact, the man was driven to despair. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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