Queerville´s Quaint Quartette
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Versand: | 0.00 EUR Versandkostenfrei innerhalb von Deutschland |
Partner: | buecher.de |
Hersteller: | Forgotten Books (Seiler, Geo; P.) |
Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from Queerville´s Quaint Quartette: A Musical Sketch in One Act Scene. - The exterior of Mose´s house. (May be interior if preferred.) Quartette song begins before raising of curtain. (Curtain discloses Mose Baker at chopping-block, C., Slim Fowler seated on stump, R., Top Shampine on stump, L., Spike Williams at sawbuck up R. Slim is trying to put on a sock that is much too small for him.) Mose. Slim, you appears to be havin´ a hard time. Slim (tugging at the sock). Doggone dis yere ole sock - she won´t stretch a bit. Spike (coming down R. to him). Why fo´ you don´t buy good socks? Dis yere cheap kind´s no good. Slim. If she´d only stretch - (Pulls at sock.) Mose (going R. to Slim). Now see heah, dis is gone far enough. Put on dat sock. Slim. I can´t. She won´t stretch. Mose. Spike, lend a hand heah. (Spike and Mose each put one hand on Slim´s shoulder and seize the top of the sock with the other.) Slim. Here, what you doin´? Mose. Dis sock´s goin´ on. Ready. One, two, heave! (Mose and Spike pull, and the sock slips over Slim´s foot and half-way up the calf of his leg.) Slim (excited). Now look what you done - now look what you done! Dat sock ain´t wuth nothin´. Mose. Ain´t I done tole you so? (Goes back to chopping-block, C. Spike goes back to sawbuck, up R., laughing. Slim pulls off sock and puts on a larger one.) About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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