The Princess Casamassima, Vol. 2 of 2 (Classic Reprint)
Preis: | 19.95 EUR* (inkl. MWST zzgl. Versand - Preis kann jetzt höher sein!) |
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Partner: | buecher.de |
Hersteller: | Forgotten Books (James, Henry) |
Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from The Princess Casamassima, Vol. 2 of 2 Hyacinth got up early - an operation attended with very little effort, as he had scarce closed his eyes all night. What he saw from his window made him dress as quickly as a young man might who desired more than ever that his appearance shouldn´t give strange ideas about him: an old garden with parterres in curious figures and little intervals of lawn that seemed to our hero´s cockney vision fantastically green. At one end of the garden was a parapet of mossy brick which looked down on the other side into a canal, a moat, a quaint old pond (he hardly knew what to call it) and from the same standpoint showed a considerable part of the main body of the house - Hyacinth´s room belonging to a wing that commanded the extensive irregular back - which was richly grey wherever clear of the ivy and the other dense creepers, and everywhere infinitely a picture: with a high-piled ancient russet roof broken by huge chimneys and queer peep-holes and all manner of odd gables and windows on different lines, with all manner of antique patches and protrusions and with a particularly fascinating architectural excrescence where a wonderful clock-face was lodged, a clock-face covered with gilding and blazonry but showing many traces of the years and the weather. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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