Renaissance in Italy, Vol. 2
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| Partner: | buecher.de |
| Hersteller: | Forgotten Books (Symonds, John Addington) |
| Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from Renaissance in Italy, Vol. 2: The Catholic Reaction Tasso´s Relation to his Age - Balbi on that Period - The Life of Bernardo Tasso - Torquato´s Boyhood - Sorrento, Naples, Rome, Urbino - His first Glimpse of the Court - Student Life at Padua and Bologna - The Rinaldo - Dialogues on Epic Poetry - Enters the Service of Cardinal d Este - The Court of Ferrara - Alfonso II. and the Princesses - Problem of Tasso´s Love - Goes to France with Cardinal d´Este - Enters the Service of Duke Alfonso - The Aminta Tasso at Urbino - Return to Ferrara - Revision of the GerusaUmme - Jealousies at Court - Tasso´s Sense of His own Importance - Plans a Change from Ferrara to Florence - First Symptoms of Mental Disorder - Persecutions of the Ferrarese Courtiers - Tasso confined as a Semi-madman - Goes with Duke Alfonso to Belriguardo - Flies in Disguise from Ferrara to Sorrento - Returns to Court Life at Ferrara - Problem of his madness - Flies again - Mantua, Venice, Urbino. Turin - Returns once more to Ferrara - Alfonso´s Third Marriage - Tasso´s Discontent - Imprisoned for Seven years in the madhouse of S. Anna - Character of Tasso - Character of Duke Alfonso - Nature of the Poet´s Malady - His Course of Life in Prison - Released at the Intercession of Vincenzo Gonzaga - Goes to Mantua - The Torrismonda - An Odyssey of nine Years - Death at Sant Onofrio in Rome - Constantini´s Sonnet About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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