The House of Seleucus, Vol. 1 (Classic Reprint)
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Partner: | buecher.de |
Hersteller: | Forgotten Books (Bevan, Edwyn Robert) |
Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from The House of Seleucus, Vol. 1 There is much to discourage an attempt to write a history of the Seleucid dynasty. It will be only too apparent how often the narrative must halt for deficiency of materials, how the picture must he disfigured by blanks just where they are most vexatious. I hope, however, that if the reading of this book makes these disabilities felt, the question prompted at the conclusion will be, not "Why has such an attempt been made?" but "How comes it that such a subject has been neglected so long?" If the book itself fails to make clear how closely the subject touches us, as students of the world, as Christians and as Englishmen, it would be absurd to think that a preface could do so. It is indeed surprising, defective though the materials are, that the Seleucid dynasty has not been made as a whole the subject of a special study since the Jesuit Frolich wrote his Annales compendiarii regum et rerum Syriae in the middle of the eighteenth century (1744). In recent times it has only been treated in works dealing with the "Hellenistic" epoch generally, or in catalogues of the Seleucid coinage, such as Mr. Percy Gardner´s Coins of the Seleucid Kings of Syria in the British Museum (1878) and M. Ernest Babelon´s Rois de Syrie, d´Arménie et de Commagène (Catalogue des monnaies grecques de la Bibliothèque National), Paris, 1890. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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