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Modern Language Teaching, Vol. 3 (Classic Reprint)




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Hersteller:Forgotten Books (Association, Modern Language)
Stand:2015-08-04 03:50:33

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Excerpt from Modern Language Teaching, Vol. 3 I feel a kind of doubt as to whether, in welcoming you to hold your conference in this modern University, I should use as my vehicle of speech the ancient tongue of Englishmen, or should address you in that new-fashioned language of Dr. Zamenhof, the general tongue of Esperanto. Yet for you, ladies and gentlemen, there will be no such doubt; for it is clear that if Esperanto wins general use - and from the rapid growth of it, and from the sanity of the reformed grammar it introduces, one could easily believe that it might - we should then have no use for any such gathering as this; for the common coin of daily and unromantic communication would then have superseded all our endeavours to teach the several local languages of the European world. I do not know how it looks to others; to me it seems that Esperanto in vocabulary and grammar is a miracle of simplicity, especially when one brings to the study of it a knowledge of the chief European tongues. Enthusiasts for it proclaim that it will be the bond of union between all lands; will break down many subtle barriers; will advance among nations the Christians message of peace and goodwill. These things may be but passing dreams; we are clearly not met to study the chances of our own demise through the triumph of a system of language which claims to make all education in existing languages comparatively unimportant. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


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