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The Deipnosophists or Banquet of the Learned of Athenæus, Vol. 1 of 3




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Hersteller:Forgotten Books (Athenaeus, Naucratis)
Stand:2015-08-04 03:50:33

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Produktbeschreibung

Excerpt from The Deipnosophists or Banquet of the Learned of Athenæus, Vol. 1 of 3: Literally Translated by C. D. Yonge, B.A., With an Appendix of Poetical Fragments, Rendered Into English Verse by Various Authors, and a General Index The author of the Deipnosophists was an Egyptian, born in Naucratis, a town on the left side of the Canopic Mouth of the Nile. The age in which he lived is somewhat uncertain, but his work, at least the latter portion of it, must have been written after the death of Ulpian the lawyer, which happened A. D. 228. Athenæus appears to have been imbued with a great love of learning, in the pursuit of which lie indulged in the most extensive and multifarious reading; and the principal value of his work is, that by its copious quotations it preserves to us large fragments from the ancient poets, which would otherwise have perished. There are also one or two curious and interesting extracts in prose; such, for instance, as the account of the gigantic ship built by Ptolemæus Philopator, extracted from a lost work of Callixenus of Rhodes. The work commences, in imitation of Plato´s Phædo, with a dialogue, in which Athenæus and Timocrates supply the place of Phædo and Echcerates. The former relates to his friend the conversation which passed at a banquet given at the house of Laurcntius, a noble Roman, between some of the guests, the best known of whom are Galen and Ulpian. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


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