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An Introduction to the Knowledge of Rare and Valuable Editions of the Greek and Latin Classics, Vol. 2




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Hersteller:Forgotten Books (Dibdin, Thomas Frognall)
Stand:2015-08-04 03:50:33

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Produktbeschreibung

Excerpt from An Introduction to the Knowledge of Rare and Valuable Editions of the Greek and Latin Classics, Vol. 2: Together With an Account of Polyglot Bibles, Polyglot Psalters, Hebrew Bibles, Greek Bibles and Greek Testaments; The Greek Fathers, and the Latin Fathers Editio Princeps. The author of the Harleian Catalogue, vol. iii. no. 1057, has erroneously observed that Maittaire was ignorant of this edition: but Audiffredi and Verheyk very confidently assert that he was well acquainted with it. The reader will find it specified in the Annal. Typog. t. i. 307, along with Terentius Varro de Ling. Lat. This editio princeps was superintended by Diaconus, who has taken care to represent with scrupulous fidelity all the errors and interpolations of his Ms. Verheyk (edit 1739, præf. xi.) observes that Fabricius (Bibl. Lat. edit. 1721, t. i. 578) has praised this editio princeps; on the contrary, if the reader will turn to the passage referred to, he will find that the "Breviarium Eutropii in antiq. Edit. Romæ, 1471," is declared to be remarkably interpolated, "mire interpolatum legitur." The words of Fabricius are repeated by his editor, Ernesti, t. iii. 133. See De Bure, no. 4840; Audiffredi, Edit. Rom. 87; Cat. de la Valliere, no. 4875, which copy was purchased by Count Revickzky for 901 livres, and is now in the library of Earl Spencer. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


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