An Attempt to Explain the Origin and Meaning of the Early Interlaced Ornamentation
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| Partner: | buecher.de |
| Hersteller: | Forgotten Books (French, Gilbert J.) |
| Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from An Attempt to Explain the Origin and Meaning of the Early Interlaced Ornamentation: Found on the Ancient Sculptured Stones of Scotland, Ireland, and the Isle of Man Any reasonable and honest attempt to explain the origin of the singularly elegant interlaced ornamentation, familiar to archælogists as the very earliest style of artistic decoration known in the British islands, must be entitled to, and I feel assured will receive, favourable consideration. Even should the attempted explanation fail to obtain entire sanction, it will at least lead to attentive and accurate observations upon an interesting subject, which may at some future time refute or establish the theory which I venture to propound. The style of interlaced ornament to which I refer is found in an infinite variety of devices on the earliest sculpture, whether of stone or metal, and in the oldest manuscripts and illuminations of Britain and Ireland. It retained its peculiar distinctive character throughout the Roman occupation of Britain, slightly modified by, and often mixed with, classical ornaments. These, however, in a great measure disappeared during the Saxon period, a circumstance which induces the belief that, whatever its origin and purpose, interlaced ornamentation was equally familiar to the Saxon invaders and to the British aborigines. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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