History of Charles the Great and Orlando, Ascribed to Archbishop Turpin, Vol. 1 of 2
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| Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from History of Charles the Great and Orlando, Ascribed to Archbishop Turpin, Vol. 1 of 2: Translated From the Latin in Spanheim´s Lives of Ecclesiastical Writers; Together With the Most Celebrated Ancient Spanish Ballads Relating to the Twelve Peers of France, Mentioned in Don Quixote; With English Metrical Versions As I can give the reader no better account of Turpin´s History than Mr. Ellis has favored us with in his Specimens of Ancient Metrical Romances, I shall merely transcribe what he says upon the subject, and reserve further considerations for the Preface to the Spanish Bsllads. "This Chronicle was composed before 1122, with the title of ´Joannes Turpini Historia de vitâ Caroli magni & Rolandi;´ and it may be presumed that the MSS. of such a history were formerly very numerous, though it appears to have principally derived its popularity from its French metrical paraphrases and imitations, some of which were probably of almost equal antiquity with the original, and are alluded to by the subsequent prose translators. "The earliest of these, according to Fauchet, was written by a certain Jehans, who, at the instance of Regnault, Comte de Boulogne & de Daumartin (then detained as a prisoner by Philip Auguste), turned into French prose a Latin copy of Turpin, which he found in the archives of St. Denis. A copy of this work is still preserved in Ms. in Bibl. Reg., 4, c. xi. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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